Art Communities

The indigenous people from the desert community of Tjuntjuntjara, 700kms N-E of Kalgoorlie near the South Australian border, are known as the Spinifex People. They were dispossessed from their homelands in the Great Victorian Desert in the 1950’s, when their country was selected for the Maralinga Atomic testing that was carried out between 1952 and 1957 in a joint operation between the British and Australian governments.

During that time many of the people were moved to missions including Cundeelee and Warburton in Western Australia, which were hundreds of kilometres away from their country.  About 200 people were recorded as still being on the Spinifex homelands in the period 1955 to 1963, and most of these were moved on to mission settlements.

In the early 1980’s Cundeelee mission closed. The Spinifex People were moved again to other lands before eventually settling at Tjuntjuntjara, a newly selected outstation camp in the south-western corner of Spinifex homelands. In 1992 the High Court of Australia gave recognition to Native Title, a process which was to lead to the Spinifex People being handed title to their homelands in November 2001.

The Spinifex Arts Project was initiated in 1996 as part of the process of  documenting the connection between the Spinifex People and their land. The role of painting rapidly grew as a new way for the community to portray people’s traditional ownership of country.

Ilkurlka Roadhouse	Spinifex
Women at work	Byron Brookes at work